If Patsey would not succumb to his sexual demands, she would be whipped. Her back “bore the scars of a thousand stripes”-not because she was lazy, unmindful, or rebellious, but because Epps had turned his “lustful eye” toward her. While Patsey “was a joyous creature” and “a laughing, light-hearted girl” by nature, she “wept oftener, and suffered more, than any of her companions,” remembered Northup. Epps, according to Northup, had “repulsive and course” manners, indicating that he’d “never enjoyed the advantages of an education.” Nor had he any sense “of kindness or of justice.” And when he was drunk he became either “a roystering, blustering, noisy fellow, whose chief delight was in dancing with his ‘niggers,’” or he would “lash them about the yard with his long whip, just for the pleasure of hearing them screech and scream, as the great welts were planted on their backs.” Northup and Patsey were owned by Edwin Epps, whom Northup described as a “large, portly, heavy-bodied man with light hair, high cheek bones, and a Roman nose of extraordinary dimensions,” who stood six feet high with blue eyes and a light complexion. She was the “queen of the field,” Northup wrote-a line repeated several times in the film. The figure at the emotional center of the film is a slave named Patsey, whom Northup described as a “slim and straight” twenty-three-year-old dark-skinned woman who “glories in the fact that she is the offspring of a ‘Guinea nigger,’ brought over to Cuba in a slave ship.” Patsey had “an air of loftiness in her movement,” he wrote, “that neither labor, nor weariness, nor punishment could destroy.” Were she not bound in servitude she “would have been chief among ten thousand of her people,” he mused, but “her intellect in utter and everlasting darkness.” In the fields, Patsey could pick far more cotton than her fellow laborers-upwards of five hundred pounds in a day. Courtesy of Documenting the American South. Solomon Northup, from the frontispiece of his memoir. In 1853 he published a memoir of his ordeal, which is the basis for the movie. After twelve long, torturous years in Louisiana, Northup was able to secure his freedom and return to his family. Much to their credit, the filmmakers did an admirable job of capturing the life and experiences of Solomon Northup, a free black man from upstate New York who was kidnapped and sold into slavery in 1841. Forum: The Future of Civil War Era Studiesġ2 Years a Slave is one of the greatest movies about American history.Reconstruction in Public History and Memory at the Sesquicentennial: A Roundtable Discussion.Maintaining a Radical Vision of African Americans in the Age of Freedom.In a Class by Itself: Slavery and the Emergence of Capitalist Social Relations during Reconstruction.Birthright Citizenship and Reconstruction’s Unfinished Revolution.The Civil War and State-Building: A Reconsideration.Forum: The Future of Reconstruction Studies.Preview the Contents for September 2023.This dream is fulfilled at the end of the book, when Solomon returns home to New York to find his wife and children alive and well. Especially during Edwin Epp’s violent, ten-year ownership, Solomon finds hope in God and the prospect of seeing his family again one day. He also distinguishes himself as a natural at harvesting sugar cane, and a skilled carpenter-a skill which eventually leads him to cross paths with the Canadian carpenter, Bass, who helps Solomon regain his freedom. Solomon’s talent as a fiddle player provides him a sense of comfort and solace during his years as a slave and enables him to make a little money by performing at other slave owners’ social gatherings. Solomon is known to his masters and fellow slaves as Platt, a name given to him by Burch. Solomon lives as a slave for twelve years for three different masters-first, the kindhearted William Ford, then the violent John Tibeats, and finally, the exceedingly cruel and evil Edwin Epps. The two men betray Solomon, selling him into slavery to James Burch. with two new acquaintances ( Brown and Hamilton) to play the fiddle in their circus. These traits unknowingly lead him into a trap, when, needing a source of income to help his family, Solomon agrees to travel to Washington D.C. He is known by the community as an excellent fiddle player, a family man, and a hard worker. Solomon Northup, the author and protagonist of the memoir, is born a free black man in New York, where, at the start of the story, he lives a pleasant life with his wife, Anne, and their three children, Elizabeth, Margaret, and Alonzo.
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